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Artworks

Open a larger version of the following image in a popup: Shi Jin-Hua, Body Inscription, 2001-2017 (unfinished) Process photograph 過程影像
Open a larger version of the following image in a popup: Shi Jin-Hua, Body Inscription, 2001-2017 (unfinished) Process photograph 過程影像
Open a larger version of the following image in a popup: Shi Jin-Hua, Body Inscription, 2001-2017 (unfinished) Prostration Step-by-Step Diagram 大禮拜的步驟
Open a larger version of the following image in a popup: Shi Jin-Hua, Body Inscription, 2001-2017 (unfinished) Prostration Step-by-Step Diagram 大禮拜的步驟
Open a larger version of the following image in a popup: Shi Jin-Hua, Body Inscription, 2001-2017 (unfinished) Installation view 展場照
Open a larger version of the following image in a popup: Shi Jin-Hua, Body Inscription, 2001-2017 (unfinished) Installation view 展場照
Open a larger version of the following image in a popup: Shi Jin-Hua, Body Inscription, 2001-2017 (unfinished) Installation view 展場照
Open a larger version of the following image in a popup: Shi Jin-Hua, Body Inscription, 2001-2017 (unfinished) Installation view 展場照
Open a larger version of the following image in a popup: Shi Jin-Hua, Body Inscription, 2001-2017 (unfinished) Installation view 展場照
Open a larger version of the following image in a popup: Shi Jin-Hua, Body Inscription, 2001-2017 (unfinished) Installation view 展場照
Open a larger version of the following image in a popup: Shi Jin-Hua, Body Inscription, 2001-2017 (unfinished) Sketch 素描

Shi Jin-Hua

Body Inscription, 2001-2017 (unfinished)
Floor mats, cotton gloves, counter, and photographs.

137 x 314.5 cm (floor mats)
14 x 18.5 cm, 17 pcs (process photographs)
Original objects: 2 pairs of gloves, counter

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On a wood-patterned floor mat, I perform the ritual of the Great Homage, with the goal of completing it 111,111 times. Each time I lower my body, I press a...
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On a wood-patterned floor mat, I perform the ritual of the Great Homage, with the goal of completing it 111,111 times. Each time I lower my body, I press a counter placed at the front of the mat. After each session, I record the accumulated total. As time passes, the repeated motion gradually wears away the surface, leaving pale marks—traces where the printed pattern has been rubbed off. To date, I have completed 80,791 prostrations.

In sculpture, processes are generally divided into additive and subtractive: modeling adds material, while carving removes it. This work is a subtractive sculpture. My body serves as the chisel, and the slowly accumulating friction carves my form into the surface. The Great Homage is also a method for softening pride. Through this repeated physical movement, one lays down ego and arrogance in search of truth and refuge. This is a sculpture shaped not by tools, but by spirit.

我在特定的一塊木紋組合地墊上持續做皈依大禮拜,目標是111,111遍。每做一次,就按地墊前端的計數器一下,每告一段落後,紀錄累計做過的次數。隨著時間的過去,身體逐漸將地墊磨印出白色的痕跡。目前的銘痕是80,791遍。

一般而言雕塑分成加法與減法,塑為加法,雕則是減法。這件作品是一件減法的雕塑,用身體做為鑿刀,以持續累積的摩擦力,雕刻出自身的形狀。大禮拜同時是個馴服驕慢的方便,借著身體的動作,放下自尊與驕傲,尋覓、皈依於真理之下。這是一件精神性的雕塑。

◆《身體銘痕》2001-2017 (unfinished)|巧拼地板、手套2雙、計數器、數位輸出|137 x 314.5 cm,過程影像:14 x 18.5 cm x 17 pcs


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Exhibitions

2022 “A Drop of Water from Caoxi: Shi Jin-Hua – 2022 Buddha’s Birthday Exhibition”, Fo Guang Yuan Art Gallery, Kaohsiung, Taiwan
2017 “LINES - Shi Jin-Hua’s Contemporary Religious Art”, curated by Chen Hung-Hsing, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan
2008 “Living Beyond Measurement”, Taipei Artist Village, Taipei, Taiwan
2022「曹溪一滴.石晉華—慶祝2022國定佛誕節特展」,佛光緣美術館 總館,高雄,台灣

2017「線 — 石晉華當代宗教藝術展」,陳宏星策展,高雄市立美術館,高雄,台灣
2008「活過測量」,台北國際藝術村,台北,台灣

Publications

2018 “Lines - Contemporary Religious Art by Shi Jin-Hua”, Kaohsiung Museum of Fine Arts, Taiwan
2013 “Shi Jin-Hua”, Mind Set Art Center, Taiwan
2018《線 — 石晉華當代宗教藝術展》,高雄市立美術館,台灣
2013 《石晉華》,安卓藝術股份有限公司,台灣
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To reach the Shi Jin-Hua Estate please email us at sjhstudio@gmail.com

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