












過程影像-「我們終於抵達主山脈的山腳------」、「決定一丘一丘,一層一層的走進去------」



過程影像-「我慶幸有你同行------」、「
你說兩個人走或一個人走,不會更好或不好,只是不一樣。要爬的,還是同一座山------」

過程影像-「氣力用盡,天也暗了,決定在此紮營過夜------」、「食物與水只夠到明天------」

過程影像-「終於登頂,除了喘息我們沒有對話------」、「心中連一個話語也沒有了------」

過程影像-「------ 進入天空,俯視所有走過山和水的步伐------」、
「------ 所有的辛苦與美麗是不成比例的」

Shi Jin-Hua
81 x 32 cm (document)
29.7 x 21 cm, 3 sheets (English version of the document)
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After he returned to Taiwan from the U.S., Shi Jin-Hua began his “Pen Walking” series, where he captures the remnants and transience of life through the brushstrokes and the wear of pencils. He thinks of himself as an apprentice of the pencil, creating myriad brushstrokes and traces on paper or canvas, helping the pencil complete its life cycle. As a continuation of this metaphor for life, the “Pen Walking — Mount Kailash” series documents the artist’s pilgrimage to Mount Kailash in Tibet. With pencils in hand, he embarked on the pilgrimage to seek enlightenment. The pencils slowly shortened just as the pilgrim gradually abandoned his obsession with the self and the material world, endlessly pursuing the spiritual emancipation. (Written by TKG+ Project)
自美返國後,石晉華展開了《走筆》系列,以鉛筆的筆觸與耗損進一步象徵生命的痕跡與無常,他自比為筆的助理,在紙或畫布上走畫出各樣的筆觸與痕跡,協助筆完成一生的使命;延續這樣的人生隱喻創作了《走筆 — 岡仁波齊峰轉山》系列,以鉛筆的身體朝聖、繞行出西藏的聖山岡仁波齊峰,在這個追求覺悟的朝聖旅程中,鉛筆越來越短,猶如行者逐漸揚棄對自我與現象世界的執著,無止境地進行精神的鍛鍊與解脫。(撰文/TKG+ Project)
◆〈走筆 #163〉2012-2016|鉛筆、紙、文件|95 x 215.5 cm,文件:81 x 32 cm,英文版文件:29.7 x 21 cm x3 張
Exhibitions
2017 Art Basel Hong Kong “A 100 km Walk”, Mind Set Art Center booth, Hong Kong2017 “LINES - Shi Jin-Hua’s Contemporary Religious Art”, curated by Chen Hung-Hsing, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan
2017 香港巴塞爾藝術展「行路一百公里」,安卓藝術展位,香港,中國
2017「線 — 石晉華當代宗教藝術展」,陳宏星策展,高雄市立美術館,高雄,台灣
Publications
2018 “Lines - Contemporary Religious Art by Shi Jin-Hua”, Kaohsiung Museum of Fine Arts, Taiwan2018《線 — 石晉華當代宗教藝術展》,高雄市立美術館,台灣