Inspired by Pyotr Ilyich Tchaikovsky's Violin Concerto in D major, Opus 35, the 〈Lines of Music〉 series explores the spatial qualities of its string sections. These string parts feel like lines spiraling within space. I translate these musical strings into visual lines, where their interweaving and superimposition delineate temporal and spatial sequences and hierarchies. The negative spaces between these lines are either filled with subtle background brushwork or left untouched, creating a more complex layering. This sense of spatial relationship between the lines diverges from the conventional spatial understanding of fixed-point perspective. I intentionally leave every brushstroke distinct, with no softened edges or blurred marks.

《樂音的線條》系列啟發自柴可夫斯基的作品《D大調 小提琴協奏曲 作品35號》（P. I. Tchaikovsky, Violin Concerto in D major, Op. 35）。三重奏弦樂的部分，感覺就像線條在空間中繚繞著。我將這些弦樂轉換為線條，線條的交錯、重疊出了時間與空間的先後與層次。線與線的空隙間，填上很細的背景筆觸或者留白，進而呈現更多元的層次。這種線與線之間的空間感，不是我們習慣定點透視的空間感。我讓所有筆觸留下清楚的痕跡，沒有模糊的線條及筆觸。