Open a larger version of the following image in a popup:
Close-up details 局部特寫
Close-up details 局部特寫
Open a larger version of the following image in a popup:
Close-up details 局部特寫
Close-up details 局部特寫
Open a larger version of the following image in a popup:
Close-up details 局部特寫
Close-up details 局部特寫
Open a larger version of the following image in a popup:
Close-up details 局部特寫
Close-up details 局部特寫
Open a larger version of the following image in a popup:
Close-up details 局部特寫
Close-up details 局部特寫
Open a larger version of the following image in a popup:
Close-up details 局部特寫
Close-up details 局部特寫
Open a larger version of the following image in a popup:
Close-up details 局部特寫
Close-up details 局部特寫
Open a larger version of the following image in a popup:
Close-up details 局部特寫
Close-up details 局部特寫
Open a larger version of the following image in a popup:
Close-up details 局部特寫
Close-up details 局部特寫
Open a larger version of the following image in a popup:
Close-up details 局部特寫
Close-up details 局部特寫
Open a larger version of the following image in a popup:
Close-up details 局部特寫
Close-up details 局部特寫
Open a larger version of the following image in a popup:
Close-up details 局部特寫
Close-up details 局部特寫
Shi Jin-Hua
Pen Walking #166, 2017
Pencils and Shurangama Mantra water on canvas, dibond, and document
152 x 235 cm,
86 x 29.7 cm (Document).
86 x 29.7 cm (Document).
Further images
-
(View a larger image of thumbnail 1
)
-
(View a larger image of thumbnail 2
)
-
(View a larger image of thumbnail 3
)
-
(View a larger image of thumbnail 4
)
-
(View a larger image of thumbnail 5
)
-
(View a larger image of thumbnail 6
)
-
(View a larger image of thumbnail 7
)
-
(View a larger image of thumbnail 8
)
-
(View a larger image of thumbnail 9
)
-
(View a larger image of thumbnail 10
)
-
(View a larger image of thumbnail 11
)
-
(View a larger image of thumbnail 12
)
-
(View a larger image of thumbnail 13
)
-
(View a larger image of thumbnail 14
)
To create the 'Pen Walking' paintings, SHI uses one or multiple pencils, adhering the pencil shavings to paper upon completion. These shavings symbolize the remnants of a life concluded, while...
To create the "Pen Walking" paintings, SHI uses one or multiple pencils, adhering the pencil shavings to paper upon completion. These shavings symbolize the remnants of a life concluded, while the spent pencils represent life's endless, often unpredictable cycle. The marks left by the pen are akin to life's deeds, and the pencil's exhaustion, the destiny of the human flesh.
Each pencil represents a cycle of life, and a panoramic view of one's existence leads to a sigh of existential emptiness: "No matter what, it all comes down to this."
在創作『走筆』系列畫作時，石晉華耗盡一枝或多枝鉛筆，並將鉛筆屑黏貼於紙上以完成作品。這些鉛筆屑象徵著生命終結後的殘骸，而鉛筆的耗損則代表著生命無常的循環。筆觸的痕跡如同人生的作為，鉛筆的耗盡，則是肉體無常的宿命。
一枝枝的筆，代表一生生的輪迴，而全覽的一生，使人喟嘆虛無人生：「不論再怎麼樣，也不過如此」。
◆《走筆#166》2017｜鉛筆、楞言咒水、畫布、塑鋁板、文件｜152 x 235 cm，文件：86 x 29.7 cm
Each pencil represents a cycle of life, and a panoramic view of one's existence leads to a sigh of existential emptiness: "No matter what, it all comes down to this."
在創作『走筆』系列畫作時，石晉華耗盡一枝或多枝鉛筆，並將鉛筆屑黏貼於紙上以完成作品。這些鉛筆屑象徵著生命終結後的殘骸，而鉛筆的耗損則代表著生命無常的循環。筆觸的痕跡如同人生的作為，鉛筆的耗盡，則是肉體無常的宿命。
一枝枝的筆，代表一生生的輪迴，而全覽的一生，使人喟嘆虛無人生：「不論再怎麼樣，也不過如此」。
◆《走筆#166》2017｜鉛筆、楞言咒水、畫布、塑鋁板、文件｜152 x 235 cm，文件：86 x 29.7 cm
Exhibitions
2020 “On Wings of Mr.Wing,Infinitely”, Mr. Wing Gallery, Taichung, Taiwan2017 “2017 Black-Gold-Section Art Festival-As Usual．As Unusual ”, Art-Site of Chiayi Railway Warehouse, Chiayi, Taiwan
2020「無外無限‧無限至大─乘著清風的翅膀」，清風藝廊，台中，台灣
2017「2017黑金段藝術節《非常日常》，陳一凡策展，嘉義鐵道藝術村，嘉義，台灣