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Pen Walking #182 Ocean 1
《走筆#182 海一》
Pen Walking #182 Ocean 1
《走筆#182 海一》
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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《走筆#182 海一》局部特寫
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Pen Walking #182 Ocean 2
《走筆#182 海二》
Pen Walking #182 Ocean 2
《走筆#182 海二》
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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《走筆#182 海二》局部特寫
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Pen Walking #182 Ocean 3
《走筆#182 海三》
Pen Walking #182 Ocean 3
《走筆#182 海三》
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《走筆#182 海三》局部特寫
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《走筆#182 海三》局部特寫
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《走筆#182 海三》局部特寫
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《走筆#182 海三》局部特寫
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《走筆#182 海三》局部特寫
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Pen Walking #182 Ocean 4
《走筆#182 海四》
Pen Walking #182 Ocean 4
《走筆#182 海四》
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《走筆#182 海四》局部特寫
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《走筆#182 海四》局部特寫
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《走筆#182 海四》局部特寫
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Installation view 展場照
Installation view 展場照
Shi Jin-Hua
Pen Walking #182 Ocean, 2020-2022
Watercolor pencils and ink on papers, and document
107 x 148 cm,
108 x 149 cm,
106 x 149.5 cm,
107.3 x 149 cm,
56 x 32.9 cm (Document).
108 x 149 cm,
106 x 149.5 cm,
107.3 x 149 cm,
56 x 32.9 cm (Document).
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To create the 'Pen Walking' paintings, SHI uses one or multiple pencils, adhering the pencil shavings to paper upon completion. These shavings symbolize the remnants of a life concluded, while...
To create the "Pen Walking" paintings, SHI uses one or multiple pencils, adhering the pencil shavings to paper upon completion. These shavings symbolize the remnants of a life concluded, while the spent pencils represent life's endless, often unpredictable cycle. The marks left by the pen are akin to life's deeds, and the pencil's exhaustion, the destiny of the human flesh.
Each pencil represents a cycle of life, and a panoramic view of one's existence leads to a sigh of existential emptiness: "No matter what, it all comes down to this."
在創作『走筆』系列畫作時，石晉華耗盡一枝或多枝鉛筆，並將鉛筆屑黏貼於紙上以完成作品。這些鉛筆屑象徵著生命終結後的殘骸，而鉛筆的耗損則代表著生命無常的循環。筆觸的痕跡如同人生的作為，鉛筆的耗盡，則是肉體無常的宿命。
一枝枝的筆，代表一生生的輪迴，而全覽的一生，使人喟嘆虛無人生：「不論再怎麼樣，也不過如此」。
◆《走筆#182 海》2020-2022｜水性色鉛筆、墨、紙、文件｜107 x 148 cm，108 x 149 cm，106 x 149.5 cm，107.3 x 149 cm, ，文件：56 x 32.9 cm
Each pencil represents a cycle of life, and a panoramic view of one's existence leads to a sigh of existential emptiness: "No matter what, it all comes down to this."
在創作『走筆』系列畫作時，石晉華耗盡一枝或多枝鉛筆，並將鉛筆屑黏貼於紙上以完成作品。這些鉛筆屑象徵著生命終結後的殘骸，而鉛筆的耗損則代表著生命無常的循環。筆觸的痕跡如同人生的作為，鉛筆的耗盡，則是肉體無常的宿命。
一枝枝的筆，代表一生生的輪迴，而全覽的一生，使人喟嘆虛無人生：「不論再怎麼樣，也不過如此」。
◆《走筆#182 海》2020-2022｜水性色鉛筆、墨、紙、文件｜107 x 148 cm，108 x 149 cm，106 x 149.5 cm，107.3 x 149 cm, ，文件：56 x 32.9 cm
展覽
2023 “Art Scope: Folded Sides of Our Visual Pathways”, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan2023 “Figurative Abstraction: An Exhibition of Contemporary Arts”, Mind Set Art Center, Taipei, Taiwan
2022 “Variation: A Group Show of Contemporary Artists”, Mind Set Art Center, Taipei, Taiwan
2023「透景線：實境的疊隱與擴張」，高雄市立美術館，高雄，台灣
2023 「具象的抽象」，安卓藝術，台北，台灣
2022 「變奏曲 - 當代藝術聯展」，安卓藝術，台北，台灣
出版品
2023 “Figurative Abstraction: An Exhibition of Contemporary Arts”, Mind Set Art Center, Taiwan2023《具象的抽象》，安卓藝術，台灣
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