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Close-up details 局部特寫
Close-up details 局部特寫
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Close-up details 局部特寫
Close-up details 局部特寫
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Close-up details 局部特寫
Close-up details 局部特寫
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Installation view 展場照
Installation view 展場照
Shi Jin-Hua
Pen Walking #62, 2008
Pencil on paper and document
54.5 x 79 cm,
42 x 29.7 cm (Document).
42 x 29.7 cm (Document).
Further images
To create the 'Pen Walking' paintings, SHI uses one or multiple pencils, adhering the pencil shavings to paper upon completion. These shavings symbolize the remnants of a life concluded, while...
To create the "Pen Walking" paintings, SHI uses one or multiple pencils, adhering the pencil shavings to paper upon completion. These shavings symbolize the remnants of a life concluded, while the spent pencils represent life's endless, often unpredictable cycle. The marks left by the pen are akin to life's deeds, and the pencil's exhaustion, the destiny of the human flesh.
Each pencil represents a cycle of life, and a panoramic view of one's existence leads to a sigh of existential emptiness: "No matter what, it all comes down to this."
在創作『走筆』系列畫作時，石晉華耗盡一枝或多枝鉛筆，並將鉛筆屑黏貼於紙上以完成作品。這些鉛筆屑象徵著生命終結後的殘骸，而鉛筆的耗損則代表著生命無常的循環。筆觸的痕跡如同人生的作為，鉛筆的耗盡，則是肉體無常的宿命。
一枝枝的筆，代表一生生的輪迴，而全覽的一生，使人喟嘆虛無人生：「不論再怎麼樣，也不過如此」。
◆《走筆 #62》2008｜鉛筆、紙、文件｜54.5 x 79 cm，文件：42 x 29.7 cm
Each pencil represents a cycle of life, and a panoramic view of one's existence leads to a sigh of existential emptiness: "No matter what, it all comes down to this."
在創作『走筆』系列畫作時，石晉華耗盡一枝或多枝鉛筆，並將鉛筆屑黏貼於紙上以完成作品。這些鉛筆屑象徵著生命終結後的殘骸，而鉛筆的耗損則代表著生命無常的循環。筆觸的痕跡如同人生的作為，鉛筆的耗盡，則是肉體無常的宿命。
一枝枝的筆，代表一生生的輪迴，而全覽的一生，使人喟嘆虛無人生：「不論再怎麼樣，也不過如此」。
◆《走筆 #62》2008｜鉛筆、紙、文件｜54.5 x 79 cm，文件：42 x 29.7 cm
展覽
2014 “Unceasing Reincarnation”, Show Gallery, Kaohsiung, Taiwan2010 “The Trilogy of Contemporary Art Alchemy”, Inart Space, Tainan, Taiwan
2008 “Pen Walking”, Taipei Fine Art Museum, Taipei, Taiwan
2014 「浮生未歇」，小畫廊，高雄，台灣
2010「當代藝術煉金術三部曲」，加力畫廊，台南，台灣
2008「走筆」，台北市立美術館，台北，台灣
出版品
2008 “Pen Walking Shi Jin-Hua”, Taipei Fine Art Museum, Taiwan2008 《走筆 石晉華》， 臺北市立美術館，台灣